Tuesday, September 30, 2008
Wicked. How can one describe the magic? Wicked was based around four English DJs that threw parties in San Francisco from 1991 to 2004. They continued the debauchery and hedonic musical tradition of 1960’s Haight Ashbury. SF is a strange place, there are a lot of psychedelic and far out people there. Wicked brought some of us together. The music was the guide, a uniting force as we explored ritual magic and ancient rites together. And we danced. A lot. To house music. The celebration of the heartbeat. Everyone from homeless Grateful Dead lot freaks to gangsters in Kangol gear to old school disco lifers would be getting down together. I remember coming out of the club one morning and a black dude in a perfectly pressed suit was casually strolling out the door, and out of nowhere he busted a full on flip and just kept walking. He had some magic spring in his step. Did I just see that?! That’s what it was like. Stuff like that happened all the time. A friend was recently recalling his favorite moments- at the end of the party when the music stops and the lights come on. Then the crowd yells and yells until one last joyous track is played, often times disco or an 80s obscurity. At first the parties were outdoors on the beach or in the woods during full moons. When the crackdown commenced on those they moved into clubs: King Street Garage, Jessie Street, DNA Lounge, and a long residency at 177 Townsend. They would always bring in their own sound system and had SATSI doing amazing light and video work. They brought out guest DJs on occasion: K-Alexi, François K, Rob Paine, Joe Clausell, Doc Martin, Harvey, Mike Clark, Stacy Pullen, and many others. The following are some thoughts on each DJ, memorable sets, and links to some of the best music you’ve ever heard.
Jeno. The shaman. Silent and powerful, he spoke through his music. A Magician of the highest order. Every set he played was better than most other DJs sets I’ve seen. Out of the four, he was probably the most consistent mix tape releaser. Inside the Mind, Bang the Drum, and Rise are excellent examples of the dark psychedelic house vibe that Wicked represented. He also always played great daytime music at the free Sunset parties. I saw him a do rare non-house set once- barely anyone was there. It was unbelievably dope. Check out his Noise from the Void radio show to hear what he is currently up to. EZESkankin mixtapes hosts most of his classic mixes. Inside the Mind is my favorite. Side A. Side B.
Markie Mark. A master. Expertly crafted mixes. I saw him probably once a month for 6 years- every time just perfection. He really knew how to take it deep... The djs dj. The backbone of Wicked. Best set? Turn this up really loud. He didn’t release many recordings of his DJ sets in the later years, this is a rare promo CD he sold me. He has since retired from DJing and is a Science teacher. The recording is from September 28, 2001. 177 Townsend, 5 to 7am slot.
What can you say about Garth? Extremely dynamic. Everything goes. Dub sets…Deep sets.. Disco sets…the world of Garth is wonderful place to be. He wrote some classic jams for his Grayhound label. Most memorable set? I missed the early Full Moon parties that I hear were transcendental. For me, it was probably a Townsend session when I was super super high on acid. He took us on a very deep unified psychic journey, as it usually was at those parties when a lot of people were high (often). Unexplainably mind-blowing. Another time, in a little brick loft in the Tenderloin, he did a guitar based disco rock set and tied all the records together by jamming solos. That one accidentally wasn’t recorded but here is a link to an old tape from 1998, live at Come-Unity. Side One. Side Two.
I have never seen anyone rock a party like Thomas. He usually played first or last. I was once told the other guys thought he was too unpredictable and wild to play in the middle. Not sure if that's true but he was certainly different. “The crazy one”. “The Mad Scientist". His energy is so incredible and his selections so forward thinking. He’s been inventing styles for years. Lately he has heavily cut back on his DJing to concentrate on producing. His newest project is Food of the Gods. Best set: Probably the first Rubntug party in LA. Heads came out of the woodwork for that one. The vibe was intense. I asked Thomas about it a few weeks later and he said it was one of the best parties he had ever done. Also, the set at the Wicked party Eye of the Tiger when he stood on the turntables and yelled for 15 minutes at 6:30am was the greatest DJ performance I’ve ever been a part of. Links to that set are below. When listening, keep in mind this was when 2-step was new, the disco revival hadn't happened, and when electro clash was just starting. No one had heard Playgroup or Peaches yet. Part One. Part Two. He began by stopping the relentless thumping and started tweeking the lights. The video screens got way trippy. He panned sounds around the room. The combination of these elements made the vibe electric. You knew something special was happening. He stared at the crowd and made eye contact with everyone in the room for the first track or two. Later things got crazier. In the first minutes of part two on the mix, through the needles, you can hear him and the crowd yelling at each other. The lights were on and the club was on the brink of a riot when he jumped down and dropped Zongamin's Serious Trouble, a devastatingly sick track on a proper system. Wicked.
All pics courtesy of the amazing collection at Wicked Myspace.
Monday, September 22, 2008
This is a screen shot I took of the film Cries and Whispers, an incredibly deep and haunting masterpiece by Ingmar Bergman. This picture is from the most intense and realistic death scene I have ever seen performed. It is Harriet Andersson. If you rent it, make sure and watch the OG Swedish version, not the weird English overdub. I watched them both and the performances don't get across as well dubbed. Also check the extraordinarily heavy interview with Bergman on the extras.
Tuesday, September 16, 2008
Sunday, September 14, 2008
Cinema pioneer Jean-Luc Godard made something like 16 or 17 feature films in the 1960's. 1966's Masculin Feminin is one of his best. It follows young people in France as they go about there daily lives. Paul is an Marxist and an anti-war activist that spray paints graffiti all over town. He is trying to bed Madeleine, a beautiful Ye-Ye girl with the prettiest smile I've ever seen. Ye-Ye is cute innocent pop music that was popular in France, Italy, and Spain back then- it provides the films soundtrack. The girl that plays Madeleine, Chantal Goya, was a real life pop singer that had never acted before. In fact, she barely acts, she just reacts. Godard shot the film with no script, just setting up situations and filming them. When he first set up a meeting for Chantal to meet her co-star Paul (Jean-Pierre Léaud from 400 Blows) he was there, already set up and shooting it, and the film had already begun. In some of the best scenes Godard has Jean-Pierre wear an earpiece and he feeds him questions to ask the actresses. No one knows what Godard will ask so the reactions he gets are real (see clips below). It works in a fascinating way. Some of Godard's other films are hard to get into initially, this one is not. The film is divided into 15 acts, each one starting with Godard's famous titles flashing on the screen, as well as the sound of a gunshot. Upon release it was deemed inappropriate for kids under 18, due to the frank sexual questioning and a scene of 3 people in bed together. One of the French New Waves most engaging and creative works.
This is an interview with a real life beauty queen, Miss 19, that gets a little uncomfortable:
This is Paul and Madeleine's first discussion:
Thursday, September 11, 2008
Came across these people: Street Carnage. Great website, check it out. Bypass the street fashion critiques and funny TV clips and go strait to the blog section. Check out the "Greatest Hits" on the right. There you will find hours of insightful and funny reading. These people definitely speak their mind. The comments are usually pretty good too. Check out this little rant about Firemen. They also pointed out this heavy piece by Steve Martin called The Death of My Father. Also check out the best Dark Knight review I have read yet. This guy Gavin McInnes is one hell of a writer. He started Vice with two other guys but split from the company when they started working with Viacom. Read this amazing article he did about To Catch A Predator.
Also, on a whole other level, this article by Dominick Dunne about the murder and trial of his murdered daughter is really really good.
Wednesday, September 10, 2008
Thursday, September 4, 2008
Do you dig Steely Dan? We do. First time guest blogger and Master P-Lord Bob has contributed his ultimate Steely Dan set list. Here is Set One. Two to follow later. Click to hear the tunes.
2. Haitian Divorce
4. Caves of Altamira
5. Old School
7. Sign in Stranger
2. Haitian Divorce
4. Caves of Altamira
5. Old School
7. Sign in Stranger