Monday, March 5, 2012

Come and See


Originally titled Kill Hitler, Come and See is a Soviet film from 1985 by Elem Klimov. It takes place during the German invasion of Russia and focuses on the brutality of the Einsatzgrppen, the evil psychotic offshoot of the Nazi SS in charge of mass killings and the burnings of villages that ended the lives of over ¼ million people in Belarus alone. The story concerns a Beylorussian boy left behind to fend for himself after his entire village is murdered and the psychological terror he experiences while witnessing the mind-boggling horrors bestowed upon his people. This is seriously dark material. Klimov focuses on inner moments of crisis in the boys mind- like a drawn out close up of his face as he finally comes to grips with the fact that his family is dead. Klimov does not shy away from anything- he shows things how they went down. He based the film on actual testimony from survivors. And although some of the more heinous atrocities against children (eaten alive by dogs) are understandably shied away from there is still enough here to make you completely lose faith in humanity. Cinematically this movie is a trip and very experimental (as implied in one of the most amazing film posters ever, above), making excellent use of POV Steadicam and weird sound effects. Klimov never made another film after this. The story had been told, and indeed, I had no idea how bad it got in that part of the world until I saw this movie and read up on it. This is not a film for the light-hearted but those interested in the unfettered dark side of history or in the cinematic arts in general, this is a deep and disturbing masterwork of the highest order.

Friday, February 17, 2012

This Mortal Coil - Strength of Strings


Here we have a beautiful version of Gene Clark’s Strength of Strings by one of the best studios groups of all time, This Mortal Coil. The original version appears on Clark’s mystical 1974 solo record No Other. This version features the powerful vocals of Dominic Appleton and is taken from their double LP masterpiece Filigree & Shadow. While the song doesn’t work as well out of the context of the album, it’s still worth listening too, especially on a good sound system or in headphones. I highly recommend buying the LP. Click the song title for download.



Strength of Strings

Psychic TV Live In Berlin 1983

Video of Psychic TV performing live in their very early years when Sleazy was in the group and they sounded more like Throbbing Gristle with Sleazy on electronics and Genesis on bass. Contains excellent versions of classics Roman P and Unclean.

Wednesday, January 4, 2012

Best Films of 2011

This is our yearly write up on cinema. The following are my ten personal favorites of the year. I didn't pay too much attention the order and most of the 20 films listed at the end are just as good as the top 10. I hope this helps you to discover some cool movies. Also, I started a Twitter account strictly for film reviews: @FilmPsychedelic



1. I Saw the Devil
Of all the fantastic Korean revenge thrillers of the last few years this complex web of vengeance stands out as the most brutal, the most poetic and the most all out crazy. It’s dark and violent with strands of black humor like only the Koreans can do. Jee-Woon Kim’s next film is an American blockbuster so hopefully this isn’t his last hurrah.




2. Bedeviled
It was the year of South Korean cinema- so much great stuff. In this refreshingly feminine take on a classic revenge tale, a woman is taken to an island solely inhabited by a weirdo misogynist family and all hell breaks loose. A smart and thoughtful debut from Chiu-soo Jang. Seek this out.




3. The Kid With A Bike
Another intense and unpredictable tale of everyday life from the Dardenne Brothers- this time focusing on a neglected child. Simple and touching, this is film making at it finest.




4. Snowtown
Similar in tone to last years amazing Animal Kingdom, this movie is also about the lives of lower class Australians. Specifically, a study of the environment and the culture that would produce something as horrific as the Snowtown murders that dominated headlines in the 90s. Also, Snowtown contains the most disturbing scene of the year (the bathtub) so extra points for that.




5. Bill Cunningham New York
This is a seriously inspiring documentary about a fashion photographer in NYC that has truly dedicated his life to his art.




6. Essential Killing
Vincent Gallo in a silent role as a Mujahideen fighter on the run in the Middle East. Amazing! Gorgeous and subtle filmmaking from Jerry Skolimowski.




7. Ides of March
A refreshingly smart and well made movie about back room political power-plays and their often devastating casualties.




8. House of Pleasures
Also known as House of Tolerance, this is a strange and poignant film about the lives of prostitutes in a Paris brothel in 1900, featuring lots of champagne, opium, corsets and naked ladies. The end of the film is really surreal and has some of the best shots of the year. Fans of David Lynch or Catherine Breillat should check this out.




9. Cold Fish
Yet another demented psychological mindfuck from Sion Sono, this one centering on themes of fish, family and discipline... Sono is a maniac. "Life is Pain, living your life hurts."





10. Melancholia
This has some deep insight into the nature of depression and how it manifests itself. And it's definitely one of the best apocalypse movies in recent times. I love Kirsten Dunst and it’s nice to see Kiefer Sutherland getting some decent work.


Also of note: The Housemaid (best ending of the year), Martha Marcy May Marlene (worst ending of the year), Moneyball, Submarino, Attack the Block, Man From Nowhere, Tree of Life, Cave of Forgotten Dreams, Tiny Furniture, We Need to Talk About Kevin, Yellow Sea, When A Tree Falls: A Story of the Earth Liberation Front, Trust, Troll Hunter, Bullhead, Incendies, Tabloid, Project Nim, Drive, Crazy Stupid Love.



Worst movie.
I don’t see any of the kid films or Adam Sandler “comedies”- I’m sure those are the worst… but one movie I did see on a plane this year deserves a mention: Trespass. Wow. I watched it because it was a home invasion movie and that’s usually a decent genre but this was incredibly bad- just one unbeliveable plot twist after another. The corniest being the bad guy that is secretly in love with the mother he is terrorizing and decides to go against his fellow robbers to protect her ½ way into the movie. Nicole Kidman has ruined her face and Nic Cage looks terribly bloated and unhealthy. The only good thing about it is the lead bad guy Ben Mendelsohn, a fine actor who played “Pope” in Animal Kingdom last year. Regardless, Joel Shumacher has further ruined his name with one of the worst movies I have ever seen.

Thursday, December 15, 2011

The Year in Music

In light of there not being much content on this site lately I have compiled a list of my top ten tracks of 2011. These are vinyl singles only- no album tracks. They are all dancefloor records made to be heard on a club system so don’t bother listening on computer speakers. Click the title of the song for a link to purchase.

MidlandThrough Motion. A beautifully executed piece of modern big room garage that I kept coming back to all year.



BlawanVibe Decorium. Everything this guy has done this year has been fantastic (Getting Me Down, Peaches, the Karenn records) but this slice of industrial techno is particularly heavy.



MoscaBax. Anthem alert. This massive club tune manages to incorporate everything great about UK dance music within the last ten years. Also a very fun record to play out and mix with, especially pitched down a bit.



Factory FloorTwo Different Ways. Both tracks on this release, as well as the Optimo mix of Real Love earlier this year, are totally amazing pieces of modern industrial dance music. FF have to be one of the most interesting and exciting bands out there right now.



Crazy PBeatbox (Breach Remix) . I’m not familiar with Ben Westbeech’s pop music (apparently popular in the UK) but his work under his Breach guise is some of the freshest music out there. Last years single Fatherless was an anthem and its B side Man Up was rinsed at every gig I played this year. Here he takes a mediocre Crazy P track and turns it into a bass heavy piano house epic. A masterclass in remixing.



Joe GoddardGabriel. The original and dub are amazingly well crafted songs but it’s the Seiji remix that really moves floors. That bassline is serious buisness. Also on the remix 12" is the Compound One mix- it has a nice old school UKG sound to it.



SlavaDreaming Tiger. A really unique record that grew on me throughout the year. I can only describe as some sort of primitive Balearic psychedelia. (i could only find the live version online)



Joy OJels. Joy O is unstoppable. This take on 90’s style house is straightforward and devastatingly heavy. Out of the six records he has released there hasn’t been one song that isn’t completely awesome. One of the most consistent producers out there.



Levon VincentImpression of a Rainstorm. All three tracks on this EP are equally as good. Thoughtful, epic, raw late night techno. And the B2 track is a nice throwback to early tracky house like Bluemoon productions. Essential record.



Being Borings - Love House of Love. A deep and funky house cut on Crue-L Records from Tokyo. I think this is a new project by Kenji Takimi/Luger E-Go but I’m not 100% sure.

Monday, October 10, 2011

Ron & Chez D - Untitled B2



Here is a piece of masterful house from a couple legends. The untitled B2 track from their KMS release- Chicago 1994.

Click to download:

Ron & Chez D - Untitled B2

Thursday, August 18, 2011

Nick Drake - Clothes of Sand




A mesmerizing piece of perfectly executed psychedelic folk.

Nick Drake - Clothes of Sand

Thursday, July 28, 2011

Blawan Mix


Check out this mix from the best new producer out there- Blawan. He is taking the whole dubstep/2 step/techno thing and turning it on its head, making really hard rhythmic- almost industrial- style tracks. If you listen to his tracks by themselves, unmixed, their abrasiveness almost pushes them in to experimental territory. He has only a few releases so far but each one is amazing, I recommend them all. This mix was broadcast on Mary Ann Hobbs’ XFM show in London July 23 2011. It’s mostly unreleased stuff by him with some old techno and what not. Tracklist here. It's only 22 minutes but full of the most inventive dance music I have heard in a long while. Mental stuff, play loud.

Blawan - XFM mix

Wednesday, June 8, 2011

Pink Rhythm - Trust Me


This is one of my favorite records: the India 12” by Pink Rhythm. It's a beautifully produced 4 track EP from 1985 by John Rocca and Andy Stennett, the same gentlemen that brought you the Pictures LP. This track is a bit of a blue-eyed soul number and one of my all time favorite Rocca tunes. Ripped from my vinyl collection. Stream below or click here for download.

Wednesday, June 1, 2011

Luger E-Go - Path to Anacrchy Pass


Here's a track by Kenji Takimi who owns Crue-L Records in Japan. This is one of his weirder projects under his Luger E-Go guise. This is a ten minute experimental dance record he released as a one sided 12" in 2004. If you think it sounds low-fi/distorted/compressed I assure you thats just how the record is, as I recorded a clean vinyl rip. It's just a crazy record. Enjoy.

Lugar E-Go Path to Anarchy Pass Dead Can Dance by Kenji Takimi

Monday, May 16, 2011

Nick Sand



Nick Sand is a clandestine chemist that worked making high grade psychedelic drugs throughout the 60s, 70s, 80s and 90s. I think it's safe to say he was responsible for most the LSD, MDMA, DMT, 2CB and other ethnogenic pharmaceuticals made in North America during those times. An important man to say the least. He learnt his trade from the recently departed master Augustus Owsley Stanley in the 60s. After getting busted in the 70’s he went underground and lived on the lamb for many years. At least for part of that time he chilled in Mexico for half the year and then worked out of a high tech lab in Vancouver, Canada the other half. He was eventually busted and sent to jail. Here, on parole in 2001 he tells part of his fascinating story. This was taken from the Psychedelic Salon podcast.

Nick Sand - Reflections on Imprisionment and Liberation

The The - Giant



An incredibly epic track by The The from their debut LP in 1983.

Thursday, April 21, 2011

Pictures LP


Here we have something a little bit special. John Rocca is one of my favorite artists- the prolific diversity of his work from roughly 81- 91 is nothing short of genius. This LP is an obscure album he made with Andy Stennett, his collaborator in the incredible bands Pink Rhythm and Freeez. It was recorded in 1983 for Editions EG and has never seen a CD or digital release... so I thought I'd rip the vinyl and share it here for prosperity's sake. The music itself is out there. For those familiar with Rocca- this is miles away from his dance classics, techno 12s, and early funk workouts. The music is experimental, ambient and dark with heavy electronics and Rocca's voice ruminating on weird childlike fantasies. The best way to hear this is at home with some spare time as this record definitely envelops and grows upon multiple listens. Rocca retired from music at 33 and I've heard he lives in southeast Asia somewhere- no one really knows... Stennett gave an interview about the record on the only other website i can find about the album. If John or Andy read his please get in touch I'd love to find out more about creating the Pink Rhythm records and everything else.

Side One:

A1 Lullabye
A2 Nursery Rap
A3 Dancing Mind To Mind
A4 Skrahs
A5 Battle Of The Leaves



Side Two:

B1 Black Tiger
B2 Loneliness
B3 Child In A Sweet Shop
B4 Adventure Lost
B5 Voodoo

Two from Thelonious Monster


Here we have two forgotten gems from the druggier side of the 1980's Los Angeles rock scene. Thelonious Monster were a live music staple back then along side bands such as Fishbone, Jane's Addiction, Chili Peppers, Pygmy Love Circus, Liquid Jesus, and so on. I never saw them live but i remember seeing their name in the Calender section of the LA times each weekend as a young teenager. Very cool band. Below are a couple songs ripped from the LP Baby, You're Bummin' My Life Out In A Supreme Fashion. (Click the "share" button to for access to download).

Try:



Union Street:



This is a cool little clip of Bob Forrest back in '93:

Tuesday, April 19, 2011

David Crosby - Tracks in the Dust


This song is a poignantly timeless track from David Crosby's 2nd LP from '89, Oh Yes I Can, his "recovery" album. He recorded this after falling hard once a 20+ year cocaine bender eventually landed him in jail and left him with nothing but his sailboat, his wife, his life, and his music. Some of the tunes on the LP are diluted by semi-cheesy 80's production but the quality of the material shines through. Check out his first autobiography, Long Time Gone- definitely the best rock bio I have read. And of course his first solo LP from '71- one of the best records ever made. This is the LP version version ripped from my vinyl collection.


David Crosby - Tracks in the Dust

Monday, January 10, 2011

Best Films of 2010


Here is our annual top ten list. I hope you find something you like.

Didnt see: Last Train Home, Dogtooth, Film Socilism, Another Year, Inside Job, Four Lions, Tales From the Golden Age, Uncle Boonmee, Daddy Longlegs, etc......

1
Enter the Void
Bold, visionary and entirely original filmmaking. Some of the most inventive and intoxicating camera work I’ve ever seen. The best visual effects in cinema history. A deep sense of melodrama. The most psychedelic film ever made. Gaspar Noe has the strongest track record in cinema right now, with three complete masterpieces under his belt, and they just get better and better.

2
Animal Kingdom
Dang, this was good. The rare film that has a totally unexpected ending that changes the way you view the entire second half. Incredible acting from everyone involved especially the J and Pope characters. This is an dark epic crime saga based on the Pettingill family in Melbourne. I loved everything about it. That’s all I’ll write, just watch it.

3
Jean-Michel Basquiat: The Radiant Child
Finally we have a proper telling of Basquiat’s story. Julian Schnabel’s movie from 1996 was good but didn’t do the man justice. As we know, Basquiat is a giant of contemporary art but with this film we get a very intimate look into his mind: his ideas, creative methods, profound intelligence, and personality. Tamera Davis unearths an insightful interview she did with him in his prolific LA phase and anchors her film with it. Jean-Michel was just a kid that hit it big- huge in his life time. This is the fascinating and moving story of someone whose work will be cherished and remembered for as long as earth is around. Amazing.

4
I’m Still Here
A bold and unusual career move from Phoenix that resulted in a movie, that is not only hysterical, but a poignant comment on the Idiocy of our Times.

5
Inception
As many have noted, there are flaws with Inception. Among them, who would actually break up their families’ empire after a dream on a plane? The film suffered from too many “handsome actor” types that, you can tell due to the over-editing, weren’t even on set the same days they were supposedly doing a scene together. Way too much expository dialogue too, they could have scaled back one dream level. Never the less, this is an incredibly accurate and trippy dive into lucid dreaming and a whole-heartedly original work on a grand scale. Nolan could have squandered the money on crowd pleasing fair- he didn’t. A minor masterpiece, and a step in the right direction for Hollywood Blockbusters.

6
Black Swan
In many ways a companion piece to Aronofsky’s the Wrestler: the emotional hardships of dedication to an art. I really liked this one but felt it lacked some of the visionary magic of his earlier work like The Fountain or Requiem. Portman’s performance was indeed incredible. The scene where she runs to the bathroom to call her mom was one of the best of the year. My only complaint would be that the story is a little too repetitive (she hurt herself, she didn’t, she hurt herself, she didn’t) but this still towers above most other films this year. Solid.

7
The Girl with the Dragon Tattoo
The film works better thematically with its original title, Men Who Hate Woman. This is an unflinching look at the seedy side of rich sexual predators that get away with abuse. The film’s subject matter rings true, as a child porn ring was recently been discovered amongst government officials in Mexico . And, of course, Lisbeth Salander is the radest heroin we have seen in a very long time.

8
Joan Rivers: A Piece of Work
I have an entirely new respect for Joan Rivers. She is an old school workaholic that will take any job she can get. Watching her make fun of her red carpet gigs and the celebu-tards is really something. And she is funny as fuck. This is 24 hour access to the mind of a comedy legend.

9
Restrepo
Like a solider says in the movie, whoever has the best offense has the best defense. In Restrepo, an army platoon tries to take Afghanistan’s Korengal Valley , a strong hold of the Taliban that had never been-and still hasn’t been- taken by invading forces. This is an interesting look into the front lines of imperialism. Watching these kids suffer through such a worthless war is painful- you can’t help but feel sorry that they got suckered into the army propaganda or were so broke back home that they had to do this. The footage is incredible, up there with PBS’ Frontline (see: Behind Taliban Lines). But, unlike that piece, this is yet another story from the side of the offenders- the US military, which is getting really old. Yet the raw footage alone makes this one of the years best. The platoon leader at the end of the film gives a speech about charging the front line and dying for one’s cause that is eerily similar to many great Hollywood movie war speeches, especially Kirk Douglas’ in Paths of Glory. Except his isn’t satire.

10
Brooklyn’s Finest
This film might seem out of place here but I liked it because it didn’t try to be anything it wasn’t. It was just a well acted popcorn movie about a tired clique: corrupt cops. Maybe I was really stoned but I enjoyed it. There were a couple other procedural dramas that weren’t bad this year like The Town.


Special shout out to A Serbian Film for being extremely twisted. The Art of the Steal was a an excellent doc about powerful greedy scumbag is Philly. uTrue grit was pretty good, though I preferred the Coen’s previous effort, A Serious Man. Home with French Goddess Isabelle Huppert was worth seeing- about a family that has an actual freeway in their front yard. Police Adjective was an interesting peek into a depressed Romanian town. Mother was OK. Winter’s Bone was decent. Unthinkable was fun. Exit Through the Gift Shop was dope but spent way to much time on Mr. Brainwash, who has been ruining streets of LA with his “art” for way to long. The sheep movie, Sweetgrass, was mellow in a stony way- worth watching. Vahalla Rising had potential but got bogged down in heavy metal cliques’. Shutter Island sucked. Green Zone was a let down- crappy propaganda. Human Centipede was beyond terrible- just sub-par filmmaking all around. I watched about 3 minutes of Alice in Wonderland before I realized it wasn’t for adults… Tim Burton is a studio hack without ideas... I Think We’re Alone Now, the movie about Tiffany super fans, was awesome. This year’s season of Frontline on PBS was amazing, I’d recommend going to their website and watching those before seeing almost any of the movies on this list….

Worst movie- Monsters
I heard from reputable sources this was an interesting and intelligent movie about Aliens. Not so. Bogged down by an incredibly cheesy and contrived story, the decisions these characters make are so irrational it completely ruins the movie. This isn’t a fun horror movie where dumb decisions are expected- this is a self serious picture about aliens… and immigration. Instead of waiting 6 months in a Mexican paradise, a rich girl wants to risk her life and drive through the dreaded “Infected zone” to the North. They are accompanied by a team of locals skilled at surviving the zone- yet every one of them dies except the two White People. There are way too many “contemplative moments” along the way and not enough dialogue. The filmmaking is almost condescending- we get it, the story is a parable about immigration, no need to shove it down our throats to the point that it insults our intelligence. The score is awful- trying way too hard to make you “feel something.” The movie is basically a cheese ball love story with a few scenes of CGI aliens attacking. They don’t really focus on the aliens at all. It’s not clear if they can sniff out life forms to kill or if they just systematically destroy everything. We do know that they rest during the day but attack at night. But, our characters decide to travel by night instead of hiding…Incredibly unrealistic and cheap.

Wednesday, November 24, 2010

Do Piano - Again


Here is a really, really nice French tune from 1985. The gentleman that sold it to me said it was a minor hit in his country back then. Imagine living in a world where this is popular music... The production is top quality and on the shorter side lengthwise- so the link is to a WAV file instead of the usual 320mp3.

Do Piano - Again

Thursday, October 28, 2010

Pacific Horizons 12"


The second Potion Lord affiliated record has been released. Two new songs wrapped in a sleeve featuring a painting by Jay Nelson. The first piece is The Forest Electric and, according to Piccadilly Records, is "hinting at that mid - late 70s dreamy soft rock sound." The second is Jack Parsons' Laboratory. A tune that the Spanish website Counting 9 describes as "hypnotic inner movement from the triangular form that warns you about the flood of feelings of this more acoustic piece... MAGIC AND SPECIAL." The Japanese record shop JetSet sums up the release as "chivalrous spirit Balearic fore the sorrow" So there you go.

You can buy the vinyl here in the USA and at various shops in the rest of world...

Or the MP3 or WAV files are for sale dirt cheap here.

Thank you for your support.

Wednesday, October 6, 2010

Ethereal Beat - Underboard (Remix)


Here we have an absolutely beautiful Italian obscurity from 1985. This is the remix version, there is another version called Underboard (Samba Olec) which sounds almost identical. I think the only difference is this version is a little longer with a more pronounced kick drum. There is little to no information about Ethereal Beat online so I don't have much to write other than this song is friggin' awesome. Enjoy.

Ethereal Beat - Underboard (Remix)

Friday, October 1, 2010

Film Review : Enter The Void


Gaspar Noe’s groundbreaking visionary masterpiece takes us where no film has gone before. The film centers around the heavy psychotropic chemical Dimethyptamine, a drug used ritually for ages world wide by everyone from curious intellectuals to South American tribesmen. The fact that Gaspar is putting such an important yet underground practice on the world stage for the first time is a monumental achievement in itself. DMT can be extracted from naturally growing plants or made in a lab. When you smoke it, it is one of the most powerful encounters of any sort one can have- just ask anyone who has done it. It's indescribable but something like a serious dimensional trip to the inner realms of consciousness- all ecstatically displayed in fractal beings growing around you as you melt through them. The drug also is stored in the frontal lob of the human brain, and it released a little when you sleep and a lot when you die. That is why it has such mystical qualities. Many say the DMT is trip the death experience. And that is what Mr. Noe’s film is about, among other things, - the relationship between the psychedelic experience and death. Enter the Void. Is the Void life? Is the Void death?

The story contains two major DMT trips: In the first, already high on acid, the main character, Oscar, smokes some alone in his room and for a good five minutes the film drops into the most incredibly realistic hallucinogenic visuals I have ever seen- outside actually smoking DMT or dropping acid. An extremely deep song by Coil plays over this sequence. Note: This film demands to been seen in a theater for the full effect. The second trip is later when Oscar dies and DMT is released from his brain. That is a very disturbing scene as we hear Oscar thinking his last thoughts as he dies. Here, as he has the DMT death trip, Noe launches the cinema into blinding and blinking white lights slowly morphing into unrecognizable forms..... really, really, far out shit. From then on we follow Oscar around as he flashes back to what led up to his killing- up until he sees himself die again. He then becomes a spirit or god or ghost floating above the neon lights of his seedy Tokyo neighborhood where he looks down upon the aftermath of his death. The ghost/spirit POV technique allows for some seriously mental camera work- soaring over the city, swooping into and out of rooms full of psychedelic lighting that the characters inhabit. As we travel through the wormholes of his mind we also peer into defining moments of his past, which after a while creates a otherworldly yet somehow personal cinema. And because this may possibly be the DMT trip he is having before he dies, there are all sorts of subtle and not so subtle tripped out flourishes in every detail- that I, personally, found mind blowing. This is stuff we have never seen in cinema before. I won’t go into too many more details but there are stories within all this, and the end brings things full circle yet keeps the themes open to interpretation.

There are some great dance party scenes when the characters are on MDMA that really evoke what it can be like to be high as fuck in an intense club. If you’re thinking this sounds like a trippy hippie movie, think again- there are some seriously dark hellish moments in this film. We get abortion, exploitation, grief, agony, car accidents, senseless killing, and one seriously bad trip. While all this is obviously not for everyone, this film really spoke to me at a deep level.

Noe has created an entirely original film, a near impossible task these days. I think those of us that have had similar experiences to what Gaspar is communicating in the film will have their brain blown open and any one else with artistic sensibilities and a stomach for experiential experiments will love this too. Oh yeah, the credit sequence is the most bad ass you will ever see. And the soundtrack is one long experiment ambient masterwork with music by the aforementioned Coil, as well as Zbigneiw Karkowski, Alvin Lucier, and Throbbing Gristle. Not only is Enter the Void the first film to deal with psychedelia in a serious manner but it is also a beautiful and relevant meditation on the greatest of all mysteries, death.

Monday, September 13, 2010

Jr Reid- Bank Clerk


My brother is a collector of reggae tapes and records, especially 7" dubs. He's been dropping this tune at parties forever and I finally borrowed it and ripped this rarity. This is a tune from 1985 by Junior Reid, produced by Errol John Marshall and Errol Myris Lewis for Feel the Beat. At first I was only going to post the masterful dub version, but the original is just too good to pass up, so here we have both side A and side B. Enjoy.

Steam below or click the title to download:

Jr Reid - Bank Clerk



Jr Reid - Bank Clerk (Version)

Album Review: Hard Boiled Wonderland




Vijay Anderson is an Oakland based drummer that has been a staple of the Bay Area new music and jazz scenes for the better part of 15 years. He continuously gigs, performing multiple shows a week for years on end. He often performs with legends like John Tchicai and Vinnie Golia, as well as his well worn posse of jazz cats that includes John Finkbinder and Darren Johnston. I have had the privilege of hearing him play numerous times- sounds ranging from all out improvised noise chaos (with the short-lived project Musical Genius with Lynn Johnston) to a set of tender and faithfully rendered jazz standards. After performing on countless albums as a side man, Anderson has just released his first album under his own name. The album is improvised; the instrumentation: drums, clarinet, sax, guitar, and vibraphone. The music is straight from the heart and is pretty damn far out. These guys aren’t afraid of any sound, any direction, any feeling: Drums rumble as horns squeak. Feedback reverberates through amped up souls. Spiraling lines march in circles of mania. Melodies form shapelessly and wander in to the realms of pure thought as sound. The record is Hard Boiled Wonderland. Buy it here.

A selection from the album:

March at the End of the World

Thursday, September 9, 2010

Tuesday, August 17, 2010

MIke Francis - Survivor



Here is a bit of Italian Balearic music courtesy of Mike Francis aka Francesco Puccioni.
It was a big hit over there in 1984. Enjoy.

Mike Francis - Survivor

Friday, July 23, 2010

War in Peacetime


Please enjoy this tune at loud volumes. It's a track by South African political singer Johnny Clegg with his band at the time Juluka. The song has been slowed and edited by some fools in the UK- Leo Zero and Roof Rack. I haven't heard the OG so I'm not sure what they did but this is an ANTHEM. Ripped from my vinyl collection.


Johnny Clegg & Juluka - Two Humans on the Run (Rat Salad 33 Edit)